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Theses from 2018

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The Future of Futurism: From Noise Intoners to Noise Taction, Diana Tosca

Theses from 2017

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Piratical Debauchery, Homesick Sailors, and Nautical Rhythms: The Influence of Sea Shanties on Classical Music, Pallas Riedler

Theses from 2016

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Race, Authenticity, and Reclamation in a North Carolina Old-Time Scene and in the Music of the Carolina Chocolate Drops, Fiona Boyd

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To Be Totally Free: Galina Ustvolskaya, Sofia Gubaidulina, and the Pursuit of Spiritual Freedom in the Soviet Union, Kathleen Regovich

Theses from 2015

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Euler: An Interactive Sound Installation, Ariana Mora

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To the South! A Study of Exoticism in Fanny Hensel‘s Lieder, Xi Zhang

Theses from 2014

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Learning and Teaching through the Wellesley Preparatory Chorus, Kendall Ann Clites

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A Compositional Personalization: Influences of Late Beethoven Piano Sonatas on Schumann's Phantasie in C Major, Michiko Inouye

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Berlioz’s Les nuits d’été: Masterful Orchestration as a Vehicle for Text Expression, Katherine Siegel

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The Powerhouses of Parisian Society: Female Patronage and the Ballets Russes, Emily Weddle

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Orientalism, Regionalism, Cosmopolitanism: Musical Manifestations of Cultural Hybridity, Audrey Wozniak